The Holland Festival, the Edinburgh and Avignon festivals and venues such as the New York Lincoln Center and the Paris Théâtre de la Ville have succumbed to the talent of Lemi Ponifasio, a Samoan director, designer and choreographer who, often taking history and his own roots as his starting point, has approached the worlds of theatre and contemporary dance in a radically innovative and unconventional way. Now he is directing his latest creation with Chilean platform for critical reflection, MAU Mapuche, through which he touches on issues ranging from the Mapuche people to nature, female identity and power. Its central characters are two women who bring their talent and bodies to the stage, tools they use for speaking to us about the communities they come from and, at the same time, about the history and future of Chile. One of these artists is Elisa Avendaño Curaqueo, a woman from the Mapuche community from Chile's La Araucanía region. She has spent her entire life immersed in her people’s culture, studying and practising the Mapuche language, traditional Mapuche medicine and composing and performing, as she does in this show, traditional music from her community. She uses the Mapuche language in her performances, as well as traditional tools that speak to us of her people’s rich culture. Sharing the stage with her is Natalia García-Huidobro, a Chilean artist who has developed a very personal line of contemporary flamenco creations in collaboration with artists from different disciplines, including outstanding visual and musical artists. She has been leading the La Típica company since 2000 and the productions she has directed include El arrebato, Our prayer and A ras de tierra. Together the two artists offer a reflection on State power and the repression suffered by the Mapuche people which contains ritual elements highly characteristic of Lemi Ponifasio offerings. The show or performance was created between New Zealand, where the director works, and Chile, where it premièred.
A Barcelona Grec 2020 Festival de Barcelona and Teatro a Mil Foundation production.
This tour of Love to Death (Amor a la muerte) is supported by Ministerio de las Culturas, las Artes y el Patrimonio de Chile and Dirección de Asuntos Culturales del Ministerio de Relaciones Exteriores de Chile.
Recommended for spectators aged 15 and over.
Notice that the show contains nudity on stage.
Director: Lemi Ponifasio. Performed by: Elisa Avendaño and Natalia García-Huidobro. Choreographed by: Lemi Ponifasio and Natalia García-Huidobro. Lighting: Helen Todd. Music and sound: Elisa Avendaño Curaqueo and Lemi Ponifasio. Light Operator and Photography: Alex Waghorn. Sound Operator: Jean Paul Mengin. Technical Director:Martin Montaner Production Manager: Fernanda Pardo Additional photography: Lemi Ponifasio
